INDEX OF PHYSICAL ASPECTS OF BOTTLES
INCLUDING MATERIALS, MOTIFS, MARKS, ETC.
 


B


BASE MARKS.


Blue and white porcelain, 31–2:18


Guangxu, 36–2:27


Guyue Xuan, 35–2:35; 38–1:16, 28–30; 39–3:37, 41


Jiang xiaofeng, 36–3:38


Jiaqing, 35–2:15–16


Kangxi, 32–2:5, 6, 7, 8; 37–3:7; 39–3:40


Porcelain snuff bottles, 31–3:24–25


Qianlong, 31–3:8; 32–1:40; 34–2:30; 35–2:7–19; 36–2:13; 37–3:7


Representational marks, 31–3:24–25


Scholar snuff bottles, 32–1:5


Yangzhou, 38–1:31–32


Yongzheng, 32–1:16; 32–2:10, 11, 12; 37–3:7


See also HALLMARKS; REIGN MARKS; SEAL MARKS


BUBBLES OF ENTRAPPED AIR OR WATER, 31–3:10–11


 


C


CYLINDRICAL BOTTLES, blue and white porcelain, 31–2:14


 


D


DOUBLE BOTTLES


Chalcedony, 34–1:18


Hero vase, 35–1:8


Porcelain, 30–1:11; 30–3:12


Qianlong imperial poems, 38–2:11


Sedan-chair vase form, 35–2:13–14


Twin-fish motif, 30–1:27


 


H


HALLMARKS


associated artists, 31–3:11


Daoguang, 31–3:14


Hall of Constancy (xingyouheng tang), 30–1:30; 34–1:35; 35–1:19


Jiaqing, 31–3:14


Qianlong, 31–3:14–15


Xingyouheng Tang, 39–1:21–22


Yijin (Yizhin) Zhai, 36–2:7; 37–1:34


Ziaquan, 32–3:33


HEXAGONAL BOTTLES, 30–3:13


 


I


INSIDE-PAINTED BOTTLES


Animal motifs, 35–2:21


Aquatic scene, 39–3:9


Auctions


Hong Kong 1997, 30–1:30–31


Hong Kong 1998, 30–3:32


Hong Kong 2000, 32–3:31–33, 34–36


Hong Kong 2004, 36–2:38, 39, 40


London 1999, 33–1:34


London 2001, 33–2:37; 33–3:34


London 2002, 34–2:31


London 2003, 35–2:37


London 2004, 36–2:33


London 2005, 37–3:43


London 2006, 38–2:45–46


London 2007, 39–3:34, 35


New York 1998, 30–3:25, 27; 30–4:32, 35


New York 1999, 31–2:34–35


New York 2000, 32–1:36, 39; 32–3:29


New York 2001, 33–1:33; 33–3:30


New York 2002, 34–1:33–34


New York 2003, 35–1:25, 30


New York 2004, 36–1:38–39, 40


New York 2005, 37–1:30, 31–32, 35–36


New York 2007, 39–3:38


Robert C. Eldred Co. 2007, 39–2:47–48


Autumn landscape, 39–3:12


Bamboo, 39–3:14


Calligraphy, 34–3:10–13, 17


Carp, 39–3:14


Chinese painting in general and, 31–2:31–32; 36–2:8–9


Cockfighting motif, 37–2:15


Cover bottles, 34–3:3; 35–3:3, 33


Crane beneath pines, 38–1:40–42


Crane collection, 39–3:19–20


Cranes flying, 39–3:12


Cultural Revolution era, 38–2:44


Dog images, 38–2:20, 21–26


Dragon motif, 32–2:21


Eight Brokens, 39–3:11, 12


European subjects, 35–1:7; 37–2:10-11


Figure in sampan watching geese, 34–1:4


Fish among weeds, 34–1:14


Herdboy motif, 30–1:16-17, 20, 22


Horse, 34–2:7; 39–3:13 and willow, 34–2:6


Japanese lady, 35–1:7-8


Landscape, 38–1:14


Large bottles, 35–1:21-22


Lotus motif, 35–1:30; 39–3:14


Minnows swimming, 39–3:12


Modern and contemporary, 33–1:36-39; 34–2:35-37; 39–3:8-17


Monkey motif, 36–3:5, 6, 7


Montage composition, 35–3:12


Pomegranates, 39–3:17


Portrait bottles, 30–2:27; 30–4:32; 39–3:42-43


auction, 39–2:47-48


cover bottles, 33–3:3; 34–3:3; 35–3:3,


Empress Dowager Cixi, 39–3:11


European subjects, 37–2:10-11


Hao Shouchen, 36–2:39; 37–1:30


Hong Kong 2000 auction, 32–3:32-33, 34-36


Huangxing, 33–3:3


Liu Guanxiong, 33–3:3


Li Yanting, 37–1:30


President Wilson, 37–2:11


Prince Su, 33–3:3


Qiao sisters, 35–1:25


Quingquan, 33–3:3


record auction price, 36–2:40


Tan Xanpei as Huang Zhong, 30–4:32; 32–1:36; 32–3:32; 34–2:31


Wang Xisan (self-portrait), 39–3:17


Ye Zhongsan, 39–3:40


Yian, 33–3:3


Yin Chang, 35–1:30


Yuan Shi Kai, 33–3:3


Qing dynasty, 34–1:15–16, 17; 38–3:38–39


Rabbit motif, 31–3:20, 21, 22


Record auction prices, 32–3:35–36; 36–2:39, 40


Rock crystal, 33–1:34


Scholar motif, 34–2:18


Spring night feast, 39–3:10


Style of Xinluo Shanjen, 31–2:5


Tiger motif, 30–4:7, 8


Winter landscape, 39–3:10, 16


 


M


MATERIALS


Agate snuff bottles, 39–3:28, 29


auctions


Beijing 2005, 37–3:47


Eldred 2007, 39–2:48


Hong Kong 1998, 30–3:29, 32


Hong Kong 2000, 32–3:35


London 1999, 33–1:34–35


London 2001, 33–2:37; 33–3:33–34


London 2002, 34–2:30


London 2003, 35–2:36


London 2004, 36–3:36–37


New York 1998, 30–3:26; 30–4:33–34


New York 1999, 31–2:33, 35


New York 2000, 32–1:37, 40; 32–3:29


New York 2001, 33–1:33; 33–3:31, 32


New York 2002, 34–1:34


New York 2003, 35–1:25, 28, 30


New York 2004, 36–1:36, 39


New York 2005, 37–1:31, 37–38


New York 2007, 39–1:38, 39


boatman and bowman motif, 35–2:40


calligraphy, 34–3:14–15


carved deer form, 39–1:38


circular bottle, 38–2:38


cover bottles, 37–3:3


embellished by Tsuda family, 31–2:3


European subjects and styles, 37–2:8


farming and rural life, 30–1:15


figures in boat, 34–3:40


glass imitations, 30–2:16, 17, 18


grasshopper and lotus, 33–2:35


horse motif, 30–3:24; 33–2:36; 34–2:7, 8


inclusions depicting bird on rock, 35–2:34


inkplay, 33–1:34, 35


monkey motif, 36–3:7, 11


monkey-shaped, 36–3:6


new bottles, 31–2:26–28, 30


ox under the moon, 30–1:24


Red Cliff theme, 36–3:22


scholar art, 32–1:15–16


Suzhou, 30–1:29; 30–3:26; 31–2:27, 28; 32–1:37; 33–1:35; 33–2:37; 33–3:32; 35–2:36; 36–3:36–37; 37–1:31, 38; 37–3:3, 42


tiger motif, 30–4:5


Amber material, 32–1:11–12


Amber snuff bottles


auctions


Hong Kong 2004, 36–2:39, 40


London 1999, 33–1:36


London 2004, 36–2:33


New York 1998, 30–3:25, 26; 30–4:33


New York 1999, 31–2:36


New York 2000, 32–1:40


New York 2001, 33–1:34; 33–3:31


New York 2002, 34–1:34


New York 2003, 35–1:28


New York 2005, 37–1:31, 35


bee, butterfly, cat, tiger, 30–4:11


cat-and-mouse motif, 35–1:5


dog motif, 38–2:15


glass imitations, 30–2:10; 35–3:3, 19, 21


lion motif, 33–3:6


mask-and-ring handles, 34–1:18


new bottles, 31–2:28


phoenix motif, 33–2:3


rabbit shape, 31–3:21


squirrel motif, 33–1:10


with calligraphy, 34–3:7


Amethyst snuff bottles


auctions


Hong Kong 2000, 32–3:35


New York 2002, 34–1:34


cover bottles, 39–3:3


with entrapped air bubble, 31–3:10–11


glass imitations, 30–2:17, 18


pebble, 31–3:10


story of Su Wu Mu Yang, 33–2:3


Antlers, 33–2:25–26


Aquamarine snuff bottles


auctions


Hong Kong 2000, 32–3:32


London 1999, 33–1:35


New York 1998, 30–4:33, 35


glass imitations, 30–2:16, 17; 35–3:20


Aragonite snuff bottles


European subjects and styles, 37–2:8


glass imitation, 35–3:3, 20


mask-and-ring handles, 34–1:20


Aventurine, material, 30–2:9


Aventurine snuff bottles, 36–1:17–18, 21, 25


auctions


Hong Kong 1998, 30–3:28


New York 2004, 36–1:35–36


Bamboo material, 32–1:11


auction, 39–1:39


Bamboo snuff bottles


auctions


Beijing 2005, 37–3:47


New York 2001, 33–1:35


New York 2002, 34–1:34


carved wave design, 35–2:39


herdboy motif, 30–1:20


kui dragon motif, 33–3:14


new bottles, 31–2:29, 36


Bone, material, 33–2:24–25


Bone snuff bottles


inlay (cover bottle), 30–1:3


See also MATERIALS, Ivory and horn snuff bottles


Brass snuff bottles, 30–1:28


Bronze, material, porcelain imitation of, 30–3:16


Bronze snuff bottles, 34–3:40; 37–3:11


auctions


Beijing 2005, 37–3:47


New York 1999, 31–2:36


New York 2005, 37–1:38


black and white jade, 35–1:30


double gourd, 34–3:39


Shunzhi, 39–1:16


Calcite, glass imitation of, 35–3:3


Carnelian snuff bottles, 32–1:16


auction, London 1999, 33–1:35


basket form, 31–3:19


fish shape, 34–2:28


hero vase, 35–1:8


Celadon, modern Yixing, 34–2:25–26


Chalcedony snuff bottles, 34–1:19; 36–2:7


auctions


Hong Kong 1997, 30–1:28–29


Hong Kong 1998, 30–3:29


Hong Kong 2004, 36–2:38


London 2003, 35–3:36


New York 1999, 31–2:35


banded, 34–1:21


cricket cage, 30–2:13


double bottle, 34–1:18


double gourd, 34–2:29


dragon motif, 32–2:29, 30


embellished by Tsuda family, 31–2:3


glass imitations, 35–3:20


horse motif, 34–2:4, 6, 8, 10


cover bottle, 31–1:3


dragon and, 35–1:4–5


hunting scene, 31–3:18


large bottle, 35–1:23


macaroni agate, 34–1:20


monkey motif, 36–3:8, 10, 11


sage motif, 34–1:20


scholar art, 32–1:5


Chloromelanite, 35–3:23


Cinnabar lacquer snuff bottles, 32–3:14; 38–3:39


auctions


London 2004, 36–3:38


New York 1998, 30–3:25


New York 2000, 32–1:37


New York 2003, 35–1:28


bats and shou character, 33–3:17


European motif, 37–2:6


imperial workshop, 33–2:3


lotus motif, 38–2:38


new bottles, 31–2:29, 36


porcelain imitation of, 30–3:14–15


warrior motif, 33–3:19


Citrine snuff bottle, 35–1:28


Cloisonné


auctions


London 2004, 36–3:38


New York 2003, 35–1:29


New York 2007, 39–1:37–38


cranes and pine, 31–2:33; 33–1:12


development in China, 30–3:12–13


famille-rose, 32–2:12–13


porcelain in imitation of, 30–3:8–9, 12–13


Coconut snuff bottles, 32–1:11


auctions


Hong Kong 1997, 30–1:28


Hong Kong 2004, 36–2:40


London 2006, 38–2:43


New York 2007, 39–1:39


with calligraphic inscription, 35–3:10


Copper snuff bottles


auctions


      Hong Kong 2000, 32–3:36


with cloisonné, 30–3:11


See also MATERIALS, Enamel on copper


Coral, material, 30–2:14


Coral snuff bottles, 38–3:39


animal motif, 31–3:22; 36–3:16


auctions


Hong Kong 1997, 30–1:28


Hong Kong 1998, 30–3:29


Hong Kong 2000, 32–3:32


New York 1998, 30–4:33


New York 1999, 31–2:35–36


New York 2000, 32–1:40


New York 2001, 33–1:34


New York 2004, 36–1:39


bat and fungus (cover bottle), 32–1:3


glass imitations, 30–2:14–15; 35–3:3, 21


gourd motif (cover bottle), 31–1:3


horse motif, 34–2:5


Crystal snuff bottles, 38–1:14


auctions


London 1999, 33–1:35


London 2003, 35–2:37


New York 2004, 36–1:36


coin bottles, 30–1:4-5, 9


hair crystal, 39–3:35


scholar in sampan, 30–1:30


See also MATERIALS, Rock crystal snuff bottles


Enamel on copper, 30–3:12; 38–2:39; 39–3:40, 41, 42


auctions


Hong Kong 1997, 30–1:30


Hong Kong 1998, 30–3:29–32


Hong Kong 2000, 32–3:31


Hong Kong 2004, 36–2:36, 37


London 2001, 33–2:37


London 2002, 34–2:30


New York 1998, 30–3:26, 27; 30–4:32


New York 1999, 31–2:36


New York 2000, 32–1:40


New York 2001, 33–1:33–34; 33–3:32


New York 2003, 35–1:25, 30–31


New York 2005, 37–1:29, 32, 33, 35, 36, 37, 38


New York 2007, 39–3:37


bat, peach, rock, waves, 30–1:30


cover, 30–2:22


European motifs, 37–2:6, 7


famille-rose, 30–3:22


imperial workshop, 37–3:5–7


landscape, 30, 30–1:29


Oxherd and Weaving Maid, 30–1:21


pouch-shaped bottle, 37–3:41


rabbit and moon motif, 31–3:19–20, 21


Enamel on glass, 36–2:6; 37–3:13–17; 38–2:37; 38–3:9; 39–3:23, 41


auctions


Beijing 2005, 37–3:45, 46


Eldred 2007, 39–2:48


Hong Kong 1998, 30–3:29


Hong Kong 2000, 32–3:32


Hong Kong 2004, 36–2:36, 37, 38


London 2004, 36–3:37


London 2005, 37–3:42


London 2006, 38–2:43, 45


New York 2000, 32–1:36, 39


New York 2001, 33–1:34


New York 2005, 37–1:28, 30


New York 2007, 39–1:38–39; 39–3:37


bamboo shape, 36–2:5


bird on branch, 35–1:11


cover bottles, 30–2:3, 22; 31–3:3; 36–1:3


cricket painting (cover bottle), 31–3:3


double gourd, 34–3:39–40


dragon motif, 32–2:26


famille-rose, 32–2:8, 12, 15 cover bottle, 30–3:3


famille-verte, 31–3:3


farming and rural life, 30–1:18


Guyue Xuan snuff bottles, 38–1:16–32


record sale price, 36–2:37, 40; 37–1:30, 32


“split personality,” 35–1:6–7


Ye family, 39–1:16–17


Enamel on gold, 37–1:31


Enamel on metal, 34–2:17; 36–2:4, 6; 39–3:23


auction, New York 2003, 35–1:29


cover bottles, 33–2:3; 36–1:3


European subjects, 37–2:4–5, 6


famille-rose, 32–2:5–6, 9–10, 12–13


Guangzhou (cover bottle), 33–2:3


Enamel on pottery, 38–3:9


Enameled porcelain snuff bottles, 35–2:34; 36–2:31–32; 39–1:24, 25, 26


auctions


London 2001, 33–2:37


London 2004, 36–3:36, 37–38


New York 2001, 33–3:30–31


cover bottles, 38–1; 38–3:3


cricket, 30–4:15


dog motif, 38–2:16, 31


doucai decoration, 32–1:35


European subjects, 37–2:7–8


famille-rose, 30–4:3; 32–2:6–8, 10–12, 13–15, 35; 36–3:36; 38–2:16; 38–3:3


Jingdezhen (cover bottle), 38–3:3


Queen Victoria and Prince Albert, 35–2:36


reclining lady shape, 35–1:8-9


students Zhang and Yong-ying, 30–4:15


tomb bottles, 37–2:21–22


Fluorite, 34–1:19


Fossilized clam, 32–1:38


Fruit-skin snuff bottles, 32–3:6


new bottles, 31–2:29


porcelain imitation of, 30–3:18


Glass, enameled. See MATERIALS, Enamel on glass


Glass overlay snuff bottles, 37–3:40; 38–2:38; 38–3:39; 39–1:24–25


auctions


Hong Kong 1998, 30–3:29


Hong Kong 2000, 32–3:30–31, 32


Hong Kong 2004, 36–2:38


London 2003, 35–3:36, 39–40


London 2004, 36–3:38


London 2005, 37–3:42, 43


London 2006, 38–2:45


New York 1998, 30–3:27; 30–4:35


New York 2000, 32–1:36, 37; 32–3:29


New York 2001, 33–1:32


New York 2002, 34–1:33


New York 2003, 35–1:24–25, 26, 29


New York 2004, 36–1:36, 39


New York 2005, 37–1:28, 29, 33


bamboo motif, 33–3:12


calligraphy, 34–3:14–15; 35–3:11; 39–3:29


cat and butterfly decoration, 33–1:32


child dragon, 38–3:5


cover bottles, 30–1:27; 32–1:3; 35–1:3, 11; 35–2:3, 25; 36–2:3; 37–1:3


cricket on eggplant, 34–1:20


dog motif, 38–2:32


domesticated animal motif, 30–1:12


Dong Yong and Weaving Maid, 30–1:20–22


double gourd motif, 30–4:31–32; 34–1:19


dragon motif, 32–2:17, 18, 22–29, 31; 34–1:18, 19; 36–2:8


four qi dragons, 33–2:35


kui dragon, 33–3:14


Duanwu festival, 30–4:10


ducks and lotus, 34–1:21


duiniu tanqin, 30–1:24


farming and rural life, 30–1:15, 18, 19


fisherman, 30–1:27


fish motif, 34–1:21


five noxious creatures, 33–2:8


goat/sheep motif, 35–2:22, 23, 24


God of Longevity, 30–1:27


herdboy motif, 30–1:22


horse motif, 34–2:6, 7, 9, 10


hunting scene, 31–3:18; 38–2:19


imperial, 39–2:49


lilies motif, 30–3:23


lotus motif, 34–1:21


Manchu script, 32–3:30–31


monkey motif, 36–3:7, 9, 11, 14, 16


multiple animal motif, 31–3:22


new bottles, 31–2:24–25


origins and early development, 36–1:18–19, 22


ox motif, 30–1:23


pink cameo, 38–2:44


pomegranate motif, 35–1:6


porcelain imitations of, 35–3:22


Qianlong period, 36–2:16–18, 20–26, 28


rabbit motif, 31–3:18


rope motif, 33–3:16


scholar art, 32–1:13


single crane, 33–3:7


six color, 36–3:38


six domesticated animals, 34–2:4; 38–2:16, 17


snake and turtle motif, 33–2:6


stag beneath pine tree, 34–3:40


techniques of manufacture, 30–2:15–16; 32–1:27


tiger motif, 30–4:6, 7, 9, 11–12


tomb bottles, 37–2:23


Yangzhou style, 36–2:20–21; 37–3:42, 43; 38–3:36


yin-yang symbol, 33–3:5


zodiacal animals, 30–1:11; 31–3:21; 38–2:15


Glass snuff bottles, 39–1:22; 39–3:41–42


auctions


Beijing 2005, 37–3:46


Hong Kong 1997, 30–1:29


Hong Kong 1998, 30–3:28–29


Hong Kong 2000, 32–3:30, 36


Hong Kong 2004, 36–2:36


London 1999, 33–1:36–39


London 2001, 33–3:34


London 2003, 35–3:38


London 2004, 36–3:37


London 2006, 38–2:43


New York 1998, 30–3:23, 27; 30–4:31–32, 35


New York 1999, 31–2:33


New York 2000, 32–1:36–37, 39


New York 2002, 34–1:33


New York 2004, 36–1:35–36, 39


New York 2005, 37–1:33, 37


record sale price, 36–2:40


aventurine inclusions, 36–3:37


Bavarian, 32–1:18–19, 21, 22–26


black, 30–2:12


black and white, 36–3:37


with calligraphic inscription, 35–3:11


chilongs amidst clouds, 31–2:33


cover bottles, 35–2:3, 25; 35–3:3; 37–1:3; 38–2:3; 39–3:3


crizzling, 34–3:38; 35–3:38; 36–1:15, 16, 17; 37–2:24


dragon motif, 32–2:23; 35–2:34


kui dragon, 33–3:14


pink overlay dragon, 30–2:30


purple glass with chi dragons, 34–3:38


European subjects and styles, 37–2:8, 9


evolution in China, 32–1:19–22, 25–26


faceted, 35–3:38–39; 36–1:20–21; 36–2:13–14


famille-rose enamel, 30–3:3, 22


gold flecks in blue bottles, 35–3:17–18; 36–1:17–18


gourd-shaped, 36–2:4


imitations of other materials, 30–2:4–18; 34–1:21; 35–3:3, 17–22, 23; 38–1:11


large bottle, 35–1:23


mallow flower, 33–3:13


metal-encased, 31–3:15–16


monochromes, 36–2:30–31


mother-of-pearl embellishment, 31–2:34


new bottles, 31–2:22–25, 30


Official Script calligraphy, 34–3:8


pink lotus leaves, 31–2:34


Qing dynasty, 34–1:15; 36–1:13–27; 36–2:12–29


red glass technique, 36–1:16–17


ruyi motif, 33–3:10


sandwiched glass, 36–2:14–15; 38–2:46


scholar art, 32–1:12–13


taotie mask motif, 33–3:18


teal, 31–2:34


techniques of manufacture, 32–1:27


tomb bottles, 37–2:21, 22–25


turquoise, 39–1:22–23


wave pattern, 35–3:38


Xihushui color, 32–1:37


yellow, carved, 38–3:39; 39–1:22–23


yellow with wavy lines, 35–1:27


Yixing panels, 33–3:34


zodiacal animal motif, 32–2:17


See also MATERIALS, Glass overlay snuff bottles


Gold snuff bottles, 39–2:4–17


Gourd snuff bottles


auction, New York 2001, 33–1:34


cover bottle, 31–1:3


new bottles, 31–2:29–30, 36


Hornbill, 33–2:27


auctions


Hong Kong 2000, 32–3:35


London 2005, 37–3:44


New York 1998, 30–3:27


New York 2001, 33–1:34


New York 2005, 37–1:31


New York 2007, 39–1:39


calligraphy, 34–3:17–18


dragons and lingzhi, 33–2:35–36


Horn snuff bottles. See MATERIALS, Ivory and horn snuff bottles


Imitations, 35–3:13–23


in glass, 30–2:4–18; 32–1:12, 14; 33–3:34–35; 35–3:17–22, 23


in porcelain, 30–3:4–20; 33–3:34–35; 35–3:22–23


Inkstone material, 32–3:17; 36–2:8


Inkstone snuff bottles, 32–3:17–18; 38–3:9; 39–3:29


auctions


New York 2000, 32–1:38


New York 2005, 37–1:36–37


calligraphy, 34–3:18


two-dragons motif, 36–2:9


Ivory, material


babirusa (pig deer), 33–2:23


boar, 33–2:22–23


dugong, 33–2:23–24


elephant, 33–2:13–14


elk, 33–2:24


hippopotamus, 33–2:16–18


identification and testing, 33–2:12–13


laws governing, 33–2:29–34


mammoth, 33–2:14–15


seal, 33–2:24


spoons, 37–2:25


substitutes, 33–2:24–29


walrus, 33–2:15–16


warthog, 33–2:21–22


whale, 33–2:18–21


Ivory and horn snuff bottles, 32–1:18; 38–2:37


auctions


London 2005, 37–3:44


New York 1998, 30–3:27; 30–4:33


New York 2000, 32–1:40


New York 2001, 33–1:34, 35


New York 2002, 34–1:34


New York 2005, 37–1:30–31


New York 2007, 39–1:39


beauties in garden, 30–4:14


carp motif, 34–1:18


cover bottles, 32–1:3, 32; 32–2:3; 36–3:3


dog motif, 38–2:20


dragon motif, 32–2:30


farming and rural life, 30–1:15


gentleman with attendant, 34–2:16


imitation of other materials in, 35–3:19, 23


lacquer insets (cover bottle), 32–1:3


new bottles, 31–2:29, 30, 36


porcelain imitation of, 30–3:15–16


Qianlong (cover bottle), 32–2:3


scholar art, 32–1:11


Shoulao, 30–4:17


Tibetan style (cover bottle), 32–1:3


tiger motif, 30–4:6, 10


with silver (cover bottle), 32–1:3


Ivory nut, 33–2:26–27


Ivory snuff bottle


imperial workshops, 39–1:4–15


Jade and jadeite, material, 38–3:34


characteristics, 34–1:16


cong objects, 32–3:6


dating and attribution of carvings, 36–2:9


glass imitations, 30–2:4–6


introduction of jadeite into China, 30–3:18


for personal use of Qianlong emperor, 31–3:8–9


porcelain imitations, 30–3:4


Qing period, 33–1:8–9


significance of, in Chinese culture, 32–3:8–10; 34–1:16


Jade and jadeite snuff bottles, 36–1:26; 39–3:42


apple green and lavender, 33–3:32


auctions


Beijing 2005, 37–3:46


Hong Kong 1997, 30–1:29–30


Hong Kong 1998, 30–3:28, 32


Hong Kong 2000, 32–3:31, 33–34


Hong Kong 2004, 36–2:39


London 1999, 33–1:34


London 2002, 34–2:29–30


London 2003, 35–3:36–37


London 2004, 36–2:33


London 2005, 37–3:44


London 2006, 38–2:43; 38–3:35–36


New York 1998, 30–3:25, 26; 30–4:33, 34–35


New York 1999, 31–2:33, 35


New York 2000, 32–1:38, 40; 32–3:29


New York 2001, 33–1:33; 33–3:30, 31–32


New York 2002, 34–1:34–35


New York 2003, 35–1:26, 27–28, 30


New York 2004, 36–1:37–38, 39


New York 2005, 37–1:29, 34–35


New York 2007, 39–1:37; 39–3:36–37


Robert C. Eldred Co. 2000, 32–2:35


Robert C. Eldred Co. 2007, 39–2:46–47


basketweave, 31–3:14; 35–1:7


black and white jade, 32–3:33; 34–1:35; 35–1:22, 26, 30; 39–2:47


black jade, 32–1:38, 40


blue jade (cover bottle), 30–2:3


Budai monk, 31–2:35


chloromelanite, Mughal style, 33–2:3


coral-embellished, 31–1:34


cover bottles, 30–2:3; 31–3:3; 33–1:3; 33–2:3; 34–2:3; 39–1:3


dragon motif, 32–2:18


embellished by Tsuda family (cover bottle), 31–2:3


flattened rectangle, 30–2:30


glass imitations, 30–2:10–11; 35–3:3, 19, 23; 38–1:11


meiping vase form, 31–3:8, 9


monkey motif, 36–3:9, 10


Mughal style, 30–2:30; 32–3:11; 37–3:42


new bottles, 31–2:25–26, 30


Oxherd and Weaving Maid, 30–1:21


pebble jade, 32–1:14; 38–3:36


porcelain imitation of, 30–3:18


Qing dynasty, 34–1:16; 38–3:38–39


record auction prices, 34–2:30


russet skin, 32–2:35


scholar art, 32–1:13–14


scholar reading on rocks, 33–1:3


searching for plum blossoms, 30–4:16


Suzhou, 30–3:26; 37–1:34–35; 39–3:36, 37


tomb jade, 35–3:19


walrus tusk imitation, 35–3:23


white jade, 30–2:3; 31–2:35; 35–1:30; 35–2:34; 36–1:38; 38–3:34–36; 39–1:3, 20; 39–2:46, 47; 39–3:36, 37


yellow, 33–1:36; 35–1:27; 39–1:21


See also MATERIALS, Nephrite


Jasper snuff bottles, 34–1:20


auctions


New York 1998, 30–3:26–27


New York 2000, 32–1:37, 40


New York 2005, 37–1:30


cover bottles, 39–3:3


glass imitations, 35–3:20–21


monkey motif, 36–3:6, 9, 10


Jet, material, 31–3:12


Jet snuff bottles, 31–3:13–14; 38–1:11


auctions


Hong Kong 1998, 30–3:29


New York 1998, 30–3:25


New York 2004, 36–1:39


New York 2005, 37–1:32


glass imitations, 30–2:12


incised, 31–3:12; 38–1:4


Lacquer, material


evolution in China, 32–3:13–14


porcelain imitation of, 38–1:11


Lacquer snuff bottles


auctions


Hong Kong 2004, 36–2:37–38


London 2006, 38–3:36


New York 2000, 32–3:29


New York 2005, 37–1:29


calligraphy, 34–3:15–16, 18–19


ceramic imitations, 30–2:4


glass imitations (cover bottle), 35–3:3


incised, 31–3:11


Japanese, 36–2:9; 38–3:36


Laozi, 30–1:23


porcelain imitation of, 30–3:14, 15; 35–3:22, 23


with ivory panels, 39–1:11


See also MATERIALS, Cinnabar lacquer snuff bottles


Lapis lazuli snuff bottles


auction, New York 2005, 37–1:36–37


glass imitations, 30–2:8–9; 35–3:17–18


new bottles, 31–2:28


Laque-burgauté, 34–2:19; 37–1:35


Leather snuff bottles, porcelain imitation of, 30–3:18


Limestone material, 32–1:16


Limestone snuff bottle, 36–2:40


Malachite material, 32–2:9


Malachite snuff bottles, 31–2:28


Metal


auctions


New York 1999, 31–2:36


New York 2000, 32–1:36


porcelain imitation of, 30–3:16


See also specific metal


Metal snuff bottles


coin snuff bottles, 30–1:9


encased glass, 31–3:15–16


inlaid silver, 34–1:19


New York 2001 auction, 33–1:33–34


Nephrite, material, 34–1:16


Qing period, 33–1:8–9


Nephrite snuff bottles


auctions


Hong Kong 1998, 30–3:32


Hong Kong 2000, 32–3:36


London 1999, 33–1:35–36


London 2003, 35–2:37


London 2005, 37–3:44


London 2007, 39–3:34


New York 1998, 30–3:24–25, 26


New York 1999, 31–2:35


New York 2003, 35–1:30


black and white, 31–3:3; 33–1:3; 35–2:40; 39–1:18


Buddhist motif, 33–3:22


cicada, 30–4:16


“C” motif, 33–3:13


cover bottles, 30–1:3; 30–2:3; 31–3:3; 32–3:3; 33–1:3; 39–1:3; 39–2:3


dog shape, 38–2:15


double gourd, 33–3:12–13; 39–3:42


with chilong (cover bottle), 32–3:3


dragon-headed tortoise, 33–3:7


dragon motif, 32–2:19, 20


embellished by Tsuda family (cover bottle), 31–2:3


farmer and scholar, 30–1:13


glass imitations, 30–2:5, 10, 11–12


incised calligraphy, 38–2:44


lotus motif, 33–3:21–22; 34–1:18


magnolia motif, 33–3:21


monkey motif, 36–3:9, 10, 11, 14


official playing zither, 34–2:16


peaches and bat motif, 34–1:20


pebble form, 30–1:27; 33–3:35; 34–1:18, 20; 39–1:19–20; 39–3:34, 35


phoenix motif, 33–3:9


rolled scroll shape, 32–3:10


rural life, 30–1:14


ruyi motif, 33–3:10


sage


beneath pine tree, 32–3:3


beneath prunus tree, 32–3:3


infant and (cover bottle), 32–3:3


scholar art, 32–1:13–14


squirrel motif, 34–1:18


Suzhou-style carving, 33–1:10; 33–3:35; 37–2:8


tiger motif, 30–4:6, 7


twin-fish double bottle, 30–1:27


water buffalo, 30–1:12


white figure and pony (cover bottle), 32–3:3


yin-yang symbol, 33–3:5


Zhong Kue (cover bottle), 30–1:3


zodiacal animals motif, 34–2:4


Peach pit snuff bottle, 32–1:11


Pearl snuff bottles, glass imitations, 30–2:14, 15


Porcelain, material


evolution in China, 30–3:4–7; 33–1:26–28


imitations of other materials in, 30–3:4–20; 35–3:13–17


peachbloom glaze, 35–3:21–22


technical and historical development, 34–1:22


Porcelain snuff bottles, 32–1:16


auctions


Beijing 2005, 37–3:46


Hong Kong 1997, 30–1:29


Hong Kong 1998, 30–3:28, 29


Hong Kong 2000, 32–3:35, 36


London 1999, 33–1:34


London 2001, 33–2:36–37


London 2003, 35–2:36


New York 1998, 30–3:24, 26; 30–4:32–33, 35


New York 1999, 31–2:36


New York 2000, 32–1:35–36, 39–40; 32–3:29


New York 2001, 33–1:32–33; 33–3:30–31


New York 2002, 34–1:33


New York 2003, 35–1:25, 29


New York 2004, 36–1:37


New York 2005, 37–1:36


New York 2007, 39–3:38


Baishe zhuan story, 33–2:9


base marks, 31–3:24–25


bats and shou character, 34–3:8


      with birthday greetings, 36–1:11


blue and red, 31–2:18–19


boy riding goat, 35–2:23


      with calligraphic inscription, 35–3:11


calligraphy, 34–3:13–14, 19–20


carved, 36–2:8; 37–1:31, 36; 38–1:12; 38–3:3; 39–3:29, 38


characters from Xiyou ji (novel), 34–2:11


cover bottles, 38–3:3; 39–3:3


crackle design, 34–1:19


deer and crane motif, 35–3:22


dog motif, 38–2:20, 28–30, 32, 33


double bottle, 30–1:11


double gourd, 34–3:7


doucai decorating, 30–3:24, 25


dragon motif, 32–2:16, 17, 18, 19, 20, 21, 22, 24, 30, 31; 33–3:9; 34–1:18, 21


earliest, 30–3:8


eighteenth century, 38–3:40


famille-rose, 30–1:27; 30–3:24; 31–1:31; 31–2:8, 32–1:17, 35–36; 32–2:4–15; 33–1:26–28; 33–3:31; 35–1:25; 35–2:4–20, 36; 36–2:31; 36–3:21; 38–1:4


farming and rural life, 30–1:15, 17


figural, with rank badge, 38–3:4


floral motif, 34–3:7


in form of child holding gourd, 35–2:39


glass imitations of, 35–3:22


hard- and soft-paste, 31–2:13


hunting scene, 31–3:15–16


imitations of other materials in, 30–3:8–20; 33–3:34–35; 35–3:22–23; 38–1:11


iron-red decoration, 31–1:33; 39–1:28


Jingdezhen, 38–3:3; 39–1:5, 8, 9, 10


large bottles, 35–1:22


maiden and deer, 34–1:19


maiden immortals, 34–3:8


mandarin figure, 30–1:29


mask-and-ring handles, 34–1:20


melon form, 38–1:41


melon motif (cover bottle)f, 31–1:3


monkey motif, 36–3:10, 11, 15, 16


multiple animal motif, 31–3:22–23


new bottles, 31–2:28, 30


nine scholars, 35–1:8


nineteenth century, 38–1:43; 38–3:40


octagonal, 33–3:31


origins and early development, 31–2:13–14


with rebuses, 36–1:8, 9


Red Cliff theme, 36–3:21–22


scholar art, 32–1:16, 17


tea-dust glaze, 34–1:20


tiger motif, 30–4:6, 7, 8, 9, 12


tomb bottles, 37–2:21


translucency, 31–2:13


underglaze blue, 31–2:12–21; 38–1:4, 5, 12, 13; 39–1:27, 28; 39–3:33–34


underglaze copper-red, 39–1:27; 39–3:38


zodiacal animal motif, 36–3:7


See also MATERIALS, Enameled porcelain snuff bottles


Puddingstone snuff bottles


auctions, 30–4:33; 32–3:35; 35–1:29–30; 36–1:38; 39–2:48


porcelain imitation, 30–3:13–14


Quartz snuff bottles, 36–2:7; 39–3:9


auctions


Hong Kong 1998, 30–3:29


Hong Kong 2000, 32–3:36


New York 1998, 30–3:24; 30–4:33


New York 1999, 31–2:35


New York 2000, 32–1:37, 40


New York 2005, 37–1:37


glass imitations, 30–2:17


hexagonal, 30–3:13


inside-painted, 39–3:13


rabbit motif, 31–3:19


with calligraphic inscription, 35–3:10


with tourmaline needles, 34–1:19


Rain Flower Pebble, 32–1:16


Realgar, material, 30–2:13; 33–2:8


Realgar snuff bottles


auctions


Hong Kong 2000, 32–3:36


London 2005, 37–3:42


glass imitations, 30–2:13–14; 35–3:3, 19


Rock crystal snuff bottles


auctions


Hong Kong 2000, 32–3:31


London 2003, 35–3:37


New York 1998, 30–3:25


New York 1999, 31–2:35


New York 2000, 32–1:37, 39, 40


coin motif, 33–1:5


coin snuff bottles, 30–1:4, 5, 9


glass imitations, 30–2:9, 10; 35–3:17


inside-painted, 33–1:34


Sandalwood snuff bottle, 34–2:17


Sardonyx snuff bottles, 32–1:37


Serpentine snuff bottles, 33–1:36


Sharkskin snuff bottles, 32–1:37–38


Silver material, 33–1:5–6


ornamentation on horn snuff bottle, 32–1:3


Silver snuff bottles, 31–2:36


Slate, 32–1:14–15


Soapstone snuff bottles, 34–1:34


auction, London 2007, 39–3:35


Stoneware snuff bottle, enameled, 39–3:38


Tortoiseshell, material


cultural significance, 35–3:21


Tortoiseshell snuff bottles, glass imitations of, 30–2:14, 15; 35–3:21


Tourmaline snuff bottles


auctions


Hong Kong 2000, 32–3:36


New York 2003, 35–1:30


boatman motif, 30–4:16


new bottles, 31–2:28–29


Turquoise material, 32–2:9


Turquoise snuff bottles


auction, Hong Kong 1998, 30–3:29


glass and porcelain imitations, 35–3:18–19


glass imitations, 30–2:14; 35–3:3


lion motif, 33–3:6


maqian motif, 34–2:12


porcelain imitation of, 30–3:16–18


rabbit motif, 31–3:18


Wood snuff bottles, 33–3:35; 34–1:21


birch, 30–1:3


glass imitations, 30–2:9, 17, 18


porcelain imitation of, 30–3:15


Yixing snuff bottles, 38–1:12


auctions


Hong Kong 1998, 30–3:29


New York 2001, 33–1:33


New York 2004, 36–1:36–37, 39


flattened ovoid, 31–2:8


walnut motif, 30–1:3


MOTIFS AND SYMBOLISM


Apricot flower, 35–2:7–8


with birds, 37–3:5


Artemisia, 33–2:7, 8


Asters, 36–1:10


Auspicious motifs, 38–1:40–42


Baby-shaped snuff bottle, 34–1:3; 35–1:9


Baishe zhuan, 33–2:9–10


Baisui tu, 32–1:36


Bamboo, 30–3:22; 32–1:7; 32–2:12; 33–3:12; 34–3:16–17; 36–2:5; 37–3:42; 39–3:14


peonies and, 36–2:20


Bannerman, 34–2:10; 36–2:17


Bapo, 33–1:34; 39–3:11–12


Bars, 32–1:13


Base marks, 31–3:24–25


Basketweave, 31–3:14


broken, 35–1:7


Bat(s), 30–4:11–12; 31–3:22; 32–1:13, 16; 33–3:17; 35–2:24; 38–3:10–11, 36


crane and, 36–2:3


dragon and, 36–2:20


five, 34–1:18


fungus and, 32–1:3


horse and, 34–2:8


monkey(s) and, 36–3:13, 14


peaches and, 34–1:20; 36–2:16; 39–2:51


pomegranate and, 36–2:25


rising sun and, 36–2:16


sage and, 34–1:34


shou character and, 34–3:8


three, 36–2:33


with horse, 36–2:17


with lantern, 36–1:8


Bear, 35–1:8; 37–3:44


Beauties in garden, 30–4:14


Beehive and monkey, 32–1:36


Bee(s), 30–4:12; 34–2:9; 37–3:3


Begonia, 36–1:7, 10–11


Birds, 38–3:4


Bird(s), 31–2:20; 34–3:39; 37–3:3


amid apricot, 37–3:5


lotus and, 34–1:17


on branch, 35–1:11


on prunus branch, 34–1:20


one hundred, 32–1:37


with flowers, 37–3:46


Bird-shaped ivory bottles, 39–1:14


Birthdays, 36–1:11–12


Blue and white porcelain, 31–2:20–21


Boatman, 30–4:16; 36–3:38


bowman and, 35–2:40


Boat(s), 34–1:17; 36–2:22


beneath Red Cliff, 36–3:18–22


Duanwu (Dragon Boat) festival, 33–2:7–8; 36–1:4–5


two figures in, 34–3:40; 39–3:29


Botanical themes, 36–1:4–12; 38–3:9


European subjects and styles, 37–2:7–8


Boys playing, 37–1:31; 37–3:46, 47


Buddha’s hand (fruit), 38–3:9; 39–1:13


bottle shaped as, 37–3:41


Buddhist, 33–3:22; 36–3:16–17; 38–3:7; 39–1:8, 9, 10–11; 39–3:15


nine lions, 38–2:37


Butterfly, 30–4:12, 34; 32–1:16–17; 32–2:6


cat and, 33–1:32; 34–1:15; 34–3:18–19; 38–1:27; 38–2:43


on gourd, 33–1:3


inside-painted, 33–1:34


lotus and, 38–1:23


narcissus and, 36–2:20


Qing dynasty, 34–1:14–15


Calligraphic representations, 31–2:22–23; 32–3:15–17; 34–1:15, 16; 34–2:29; 34–3:4–20; 35–3:10–12; 39–1:21


auction, 32–3:34–35


dragon, 30–4:9; 32–2:29–30


Great Seal Script, 34–3:7–8


Qianlong period, 33–2:35


tiger, 30–4:9


Camel, 39–3:3


Carp, 33–3:30; 34–1:17, 18; 38–3:39; 39–3:14


Cat(s), 30–4:12; 39–1:3


butterfly and, 33–1:32; 34–1:15; 34–3:18–19; 38–1:27; 38–2:43


mouse and, 35–1:5


Champlevé borders, 37–3:6


Chang ming fu qui, 31–1:3


Chicken boy, 37–2:15


Chicks, 30–4:34


Children, 31–2:18; 37–3:6


at play, 36–2:18; 38–1:41–42


Chilongs, 35–1:3, 5; 35–3:22; 39–1:24–25


amid clouds, 31–2:33


double-gourd, cover bottle with, 32–3:3


Chrysanthemum, 32–1:10; 36–1:9; 38–2:32–33


quail and, 35–2:10


Cicadas, 30–2:4; 32–3:9–10; 35–3:13; 37–1:35


Clock face, 37–2:9


Clouds, 31–3:22


“C” motif, 33–3:13


Cockfighting, 37–2:12–19


Cockscomb, 36–1:11


Coin snuff bottles, 30–1:4–10; 30–2:16; 36–2:22, 23; 37–2:9


Color, 38–3:6


Corncob, 33–1:3


Courtroom scene, 36–3:37–38


Crab apple blossom, 32–1:14; 37–1:29


Crab(s), 37–3:43


Crane(s), 33–3:7; 34–1:33; 36–2:22; 37–3:42, 44


bats and, 36–2:3


deer obverse, 35–3:22


flying, 39–3:12


pine and, 31–2:33; 32–1:15, 36; 33–1:12; 38–1:41; 38–3:8


with deer, 33–1:34


on prunus tree, 34–3:3


Su Shi prose poem, 36–3:18–20


Crickets and cricket cages, 30–2:12; 30–4:15; 37–3:3; 38–1:26; 38–3:38


auction, 37–3:46


cover bottle, 31–3:3


on eggplant, 34–1:20


imitation of ancient styles, 32–3:12


scholar art, 32–1:10–11


Cypress, 33–3:20


monkey and, 36–3:12


Daoist emblems, 31–2:20; 34–1:15; 38–1:28; 38–3:7–8


Deer, 31–2:20; 37–3:44


beneath pine tree, 34–3:40


crane and, 33–1:34; 35–3:22


in fetal position, 35–1:5


maiden and, on cloud, 34–1:19


monkey and, 36–3:10


Dog, 32–3:10; 34–3:9; 38–2:15–36


Pekinese, 39–3:3


Dong Yong and Weaving Maid, 30–1:20–22


Double gourd, 30–2:3; 30–4:31–32; 32–2:10; 34–1:19; 34–2:29; 34–3:7; 37–1:29; 37–2:21–22; 38–2:45; 38–3:36; 39–2:47; 39–3:42


bronze bottles, 34–3:39


enameled milk glass, 34–3:39–40


faceted glass, 36–2:13, 14


famille-rose, 35–2:13


seven, 36–2:20


with chilong (cover bottle), 32–3:3


Dragon Boat (Duanwu) Festival, 36–1:4–5. See also MOTIFS AND SYMBOLISM, Duanwu festival, related to


Dragonfly, begonia and, 36–1:7


Dragon(s), 30–2:30; 31–2:14; 32–1:17, 38; 32–2:16–31; 32–3:17–18; 33–3:8–9, 34–35; 34–1:19, 21; 36–2:25; 38–1:43; 38–2:3; 39–3:29, 38


amid waves, 33–2:37


baby dragon in waves, 36–2:3


badges of rank, 38–3:5


bat and, 36–2:20


chi dragons, 34–3:38; 36–1:18, 37–38; 36–2:15, 20, 26; 38–2:43; 38–3:5, 39


two, 30–3:3; 31–3:10


chilongs, 35–3:22; 39–1:24–25


      in clouds, 34–1:35; 36–2:3


cover bottle, 33–1:3


      with fenghuang, 38–3:3


      with pearl and clouds, 36–3:3


five-toed, 38–3:5


four qi, 33–2:35


four-toed, 38–3:5


hidden, 35–1:4–5


imitation of ancient styles, 32–3:11


imperial designs, 39–1:5


kui style, 31–3:15; 33–3:14; 37–3:47


in large numbers, 32–2:30–31


long, 38–3:5


mang, 38–3:5


phoenix and, 38–1:42


Qing art, 34–1:14; 36–2:17–18


star-tailed, 36–2:18


two dragons, 32–2:22–25; 34–1:18; 36–2:33


with tiger, 32–2:29–30


with lingzhi, 33–2:35–36


Drunken poet, 37–1:35


Duanwu festival, related to, 30–4:10; 33–2:7–8; 36–1:4–5


Ducks


lotus and, 34–1:21


with lotus flower, 39–3:28


in pond, 34–1:33


Duiniu tanqin, 30–1:24


Eagle, 30–4:10; 35–1:8


and tiger, 30–4:10–11


East meets West, 37–1:34


Eggplants, 30–2:11–12; 34–1:15


cricket on, 34–1:20


Egret


beneath millet and lotus (cover bottle), 35–1:3


on lotus, 34–1:19


Eight Brokens, 39–3:11, 39–3:12


Eight Buddhist Emblems, 30–4:35; 35–2:37; 38–1:28


Eighteen monkeys, 36–3:11–12


Eight Horses of Muwang, 34–2:7–8; 38–3:36


Eight Immortals, 32–1:11; 35–2:9; 38–3:7–8


dragon motif and, 32–2:19–20


Li Tieguai, 32–3:15


Eight Trigrams, 33–3:5


Elephant(s), 31–3:22–23; 33–3:19–20; 38–2:3


with vase (cover bottle), 39–3:3


Endless knot, 35–3:39–40


European and Western, 30–4:16; 31–1:31, 32–33; 33–1:12, 34; 33–3:32; 35–1:7; 36–1:23; 36–2:6; 37–2:4–11; 37–3:5, 41; 38–2:39


auctions


Hong Kong 2000, 32–3:31


London 2001, 33–2:37


New York 2000, 32–1:40


New York 2005, 37–1:29, 35, 37


Beijing 2005 auction, 37–3:47


Charles III portrait, 33–1:35


English royalty, 31–1:31; 35–2:36; 37–2:9–11


figures in landscape, 35–2:12


ladies on landscape, 37–3:6


watches, 35–3:17


Falcon, 38–2:19


Fan, 34–1:15


Farming and rural life, 30–1:12–13, 14–17; 34–2:36–37


Fenghuang and dragon (cover bottle), 38–3:3


Fertility, 31–3:19; 32–2:24–25; 33–2:9; 38–1:41–42


Figural snuff bottles, 32–3:14; 39–1:30


boy, 39–3:23


child with rank badge, 38–3:4


deer form, 39–1:38


fish form, 39–1:39


Fish, 30–1:27; 34–1:14, 21; 34–2:28; 37–1:3; 38–1:42


Fishing and fishermen, 30–1:14, 15, 16, 27; 36–1:36; 36–2:3; 36–3:37; 38–3:3


in winter scene (cover bottle), 38–3:3


Fish-shaped bottle, 37–3:41


Five Virtues, 38–3:10–11


Fives, 32–2:30–31


bats, 34–1:18


chi dragons, 36–1:37–38


monkeys, 36–3:10–11


noxious creatures, 30–4:11; 33–2:8–9; 36–1:4


poisons, 36–1:4–5


roosters, 32–1:17


tigers, 30–4:8, 12


Flowers in basket, 32–1:39; 33–3:32; 36–2:18, 19; 38–2:3; 39–1:25


cover bottle, 30–3:3


Fo dogs, 31–2:19


among clouds, 31–2:17


Four noble occupations, 31–2:21; 33–1:35; 36–2:3


Frogs and toads, 31–3:20


Garden scene, 37–1:36


Geese, 34–1:4; 35–2:24; 38–1:25, 26


water reeds and, 34–3:3


Goats, three, 36–2:38; 37–1:35; 37–2:5


Goat/sheep, 35–2:21–25


Goldfish, 39–2:50


Gourds, 34–1:15; 38–3:12; 39–2:51


cricket cage, 32–1:10–11; 32–3:12


double gourd, 32–1:10; 32–3:13; 33–1:34; 33–3:12, 30–31


molded snuff bottles, 32–1:10, 11


significance of, 32–3:12–13


with butterflies (cover bottle), 33–1:3


Grapes, squirrel and, 34–1:18


Grasshopper, lotus and, 33–2:35


Halberd, 38–3:10


Harvest, 36–1:7–11


Hawk, 33–3:17


Herdboys, 30–1:16–21; 36–2:21


Hero vase, 35–1:8


Hibiscus, 31–1:45; 36–1:9–10


peony and (cover bottle), 35–1:3


Hi disc pattern, 32–3:8


Hindu sacred images, 30–2:30


Horseman, 30–4:34


bannerman, 34–2:10; 36–2:17


Horse(s), 30–3:24; 33–2:36; 33–3:35; 34–2:4–12, 31; 36–2:22; 39–1:3


bat and, 36–2:17


in clouds, 34–1:35


cover bottle, 31–1:3


      eight horses of Mu Wang, 36–2:3


with deer, 34–2:9


with dragon, 35–1:4–5


with monkey(s), 34–2:9–10; 36–3:6–9


one fat, one skinny, 32–3:18


of Qianlong emperor, 39–3:13


Huang Chenyen, 39–2:3


Huiwen pattern, 32–2:27; 39–1:9


Hunting scenes, 31–3:17; 38–2:19; 39–2:3


Jinshang tianhua, 35–2:8–10; 38–2:9, 11


Kangxi period, 31–2:14


Kingfisher


among peonies, 36–2:36


on lotus, 34–3:33


Kite flying, 30–1:17–18; 35–2:24


Lady, 37–3:6


             at window, 34–1:21


in garden with dog, 34–3:9


Japanese, 35–1:7–8


playing flute, 33–2:37


reclining, bottle shaped as, 35–1:9; 37–1:39


Landscapes, 34–1:15, 17; 35–2:8; 36–3:29–30; 37–1:4–19; 37–3:45; 38–1:4–15; 39–1:3; 39–3:3


autumn, 39–3:12


rockwork (cover bottle), 37–3:3


winter, 39–3:16


Lanterns, 36–1:8


Lantern-shaped bottle, 32–2:12


Legend of the White Snake, 39–1:10


Lilies, 30–3:23; 32–1:3


Linghzi fungus, 30–3:3; 32–1:7, 14; 32–2:26; 33–1:12–13; 33–3:9–10; 35–1:23; 36–1:6, 12; 37–3:3; 38–3:9, 10


dragon and, 33–2:35–36


monkey and, 36–3:14


Lions, 33–3:6; 39–1:9


cubs playing with ball, 35–1:28


playing with ball, 39–3:3


sages and, 35–2:40


Literati subjects, 31–2:20–21


Liu Hai, 32–1:35; 39–1:30


Longevity, 32–2:26–27; 38–1:42


Lotus, 31–2:16, 17, 20, 34; 32–2:23; 33–1:13; 33–3:21–22; 34–1:15, 18, 21; 35–1:30; 37–1:28; 37–3:41, 42, 44; 38–1:23, 24; 39–3:14


base mark, 31–2:19


begonia and, 36–1:7


bird and, 34–1:17


butterfly and, 38–1:23


carved glass, 36–2:14, 27


egret and, 34–1:19; 35–1:3


grasshopper and, 33–2:35


intertwined, 30–3:12


scrolling, 38–3:3


swallows and egrets amongst (cover bottle), 34–3:3


with duck, 39–3:28


Luohan, 30–3:25; 30–4:9–10, 34; 32–2:30; 35–1:22; 39–1:9, 10–11


Magnolia, 32–1:3; 33–1:34; 33–3:20–21, 31; 37–1:3; 38–3:39


Magpie(s), 30–4:34; 31–2:20, 34; 37–2:21


in prunus tree, 32–1:10; 33–3:11


Maidens


deer and, on cloud, 34–1:19


famille-rose porcelain (cover bottle), 30–4:3


immortals in landscape, 34–3:8


Mallow flower, 33–3:13; 36–1:23–24


Maqian motif, 34–2:12


Marigold, 36–1:11


Mask-and-ring, 32–3:8; 33–3:6; 34–1:14, 18, 20; 36–2:16, 19, 23; 38–2:3


Meiping shape, 36–2:31


Melons and gourds, 30–3:22; 31–1:3; 38–1:41


Millet (cover bottle), 35–1:3


with quail, 39–3:37


Minnows swimming, 39–3:12


Mongolian, 30–1:3; 33–1:12–13


Monkey king, 33–3:18; 36–3:7


Monkey(s), 30–1:27; 31–2:20; 31–3:22–23; 36–3:5–17; 37–3:3; 39–1:3


bat(s) and, 36–3:13, 14


beehive and, 32–1:36


horse and, 34–2:11; 36–3:6–9


peaches and, 34–2:29; 36–3:12–14


pointing at sun, 39–2:51


with horse, 34–2:9–10


Moon, 31–3:19–21


Mountains, 32–1:8–9; 34–1:17


Mouse, cat and, 35–1:5


Mughal influence, 32–3:11; 33–1:3; 35–3:36–37; 37–1:34


Mugwort, 36–1:4


Musical chimes, 38–3:10


Mu Wang, eight horses of (cover bottle), 36–2:3


Nandina, 36–1:11–12


Narcissus, 36–1:12; 38–3:9, 10


butterfly and, 36–2:20


Neck decoration, 31–2:19–20


Nine, 32–1:13; 32–2:30–31


Buddhist lions, 38–2:37


carp, 39–3:14


flowers of autumn, 32–1:40; 33–2:37; 35–2:17; 36–1:9


scholars, 35–1:8


Nude figures, 37–2:4, 5–6


Octagonal shape, 39–1:22


One hundred boys scenes, 30–3:25; 35–1:21–22; 36–1:11; 38–1:41


Orange, 35–2:23


Orchid(s), 32–1:7, 10


with “Pine Spring” two-character seal, 35–1:3


Osmanthus branches, 39–2:50


Osmanthus fragrans tree, 31–3:20–21; 36–1:11


Ox/water buffalo, 30–1:11–27; 35–1:25


Palace, 36–2:15


Palindrome inscriptions, 39–3:4–7


Pavilions, 34–1:17


Peace, 36–1:7


Peach/peach tree, 31–3:23; 34–1:15; 36–1:24; 38–1:42; 38–3:9–10, 39


             carved glass, 36–2:15


             monkey and, 34–2:29; 36–3:12–14


             with bat, 34–1:20; 36–2:16; 39–2:51


Peacocks, 32–2:10


Peacock-tail-shaped bottle, 37–3:41


Pea plant/pod, 31–3:19


Pearl and dragon, 32–2:22; 34–1:18, 21


Peonies, 30–3:22; 32–1:14, 36; 35–2:23; 38–3:9–10


bamboo and, 36–2:20


dragon and (cover bottle), 33–1:3


hibiscus and, 35–1:3


Hong Kong 1998 auction, 30–3:29–32


magnolia and, 33–1:34


with kingfisher, 36–2:36


with pheasant, 39–3:37


Persimmon, 36–1:6–7


Pheasant, 37–1:28


peonies and, 39–3:37


Phoenix, 33–1:3; 33–3:9


dragon and, 38–1:42


Pigeons, 38–2:33


Pigs, 32–3:10


Pine tree, 32–1:7, 15; 33–3:20; 38–3:8–9; 39–1:3


among rock formations, 39–3:3


deer beneath, 34–3:40


Qing dynasty, 34–1:14


sage beneath (cover bottle), 32–3:3


with bamboo and prunus blossom (cover bottle), 39–3:3


Plum, 37–3:41


in bloom, 30–4:15


searching for plum blossoms, 30–4:16


Pomegranate, 31–3:19; 33–1:3; 35–1:6, 28; 36–1:4; 38–3:9, 39; 39–3:17


bat and, 36–2:25


Pouch-shaped bottle, 37–3:41


Precious objects, 33–3:31


Pretty girl, 32–2:14, 15


Princess Shouyang, 36–2:22


Prunus tree, 30–3:22; 30–4:33; 31–2:34; 31–3:12, 13; 32–1:7; 36–2:15, 18, 22, 23; 37–1:29; 37–3:6


crane on (cover bottle), 34–3:3


magpie in, 32–1:10; 33–3:11


sage beneath (cover bottle), 32–3:3


twelve birds on, 34–1:20


Qianlong imperial poems, 38–2:9–14


Qiao sisters, 32–1:36


Qing art, 31–2:10; 34–1:14–15


Qing imperial architecture, 33–3:4–23


Quail, 36–1:9; 37–1:36; 39–3:41


chrysanthemum and, 35–2:10


millet and, 39–3:37


Rabbits and hares, 31–3:17–23, 22; 37–3:5; 38–2:19


Rank, officer and bureaucrat, 30–2:12; 38–3:4–12


Rebuses, 36–1:5–12; 38–3:10–12; 39–2:51


for bumper harvest, 36–1:7–11


for peace, 36–1:7; 39–3:3


for wealth, 39–3:9


with monkey images, 36–3:8–14


Red Cliff prose poems, 36–3:18–23; 37–1:31


Rice cultivation, 38–1:24


Rivets, 32–1:13


Romance of the Three Kingdoms, 30–4:14–15


Roosters, 32–1:17


cockfighting, 37–2:12–19


cockscomb and, 36–1:11


on rocks, 34–3:33


Rope pattern, 32–3:8; 33–3:16


Roses, 39–2:50


Ruyi, 32–1:7; 33–3:9–10; 35–1:11; 35–2:23; 36–1:6; 38–2:3; 38–3:7


Sage(s), 39–2:3


beneath tree (cover bottle), 32–3:3


fu lions, 35–2:40


holding bowl, 34–1:20


in landscape, 33–1:10


with infant (cover bottle), 32–3:3


with smoke and bat, 34–1:34


Sash, 32–1:15–16


Scholar art, 32–1:5–17; 34–1:17; 37–1:32


Scholar(s), 30–1:13, 15


ascending mountain, 33–3:34


asleep under plantains, 36–2:22


Gathering at Orchid Pavilion, 32–3:34–35; 34–3:10–11; 37–1:35–36


meeting on island, 31–2:18


Nan Gong worshipping a boulder, 39–3:37


nine, 35–1:8


parody, 39–3:7


reading on rock (cover bottle), 33–1:3


Scrolls, 32–3:10


Sedan chair vases, 30–3:9–11; 35–2:13–14


Seven sages of Bamboo Grove, 31–2:16, 21; 32–1:16


Shou character, 32–2:27, 28; 33–3:17; 35–2:17; 38–1:42; 38–3:3, 10–11, 12


bats and, 34–3:8


Shoulao, 30–4:17; 34–1:33


Silkworms, 36–2:21


Six domesticated animals, 34–2:4; 35–2:21; 38–2:16


Snake


meanings and applications, 33–2:4–11


turtle and, 33–2:6


Spider(s), 31–3:19


Squirrel, 36–3:14


among vines, 35–3:36


butterfly and, 30–3:29


grapes and, 34–1:18


on millet, 33–1:10


Students Zhang and Yong-ying, 30–4:15


Sunrise with bat, 36–2:16


Sun Wukong, 36–3:14–16


Su Wu herding sheep, 33–1:3; 35–2:24; 37–1:38


Swallows, 35–2:24


among lotus, 34–3:3


begonia and, 36–1:7


Swan, 35–3:40


Swastika, 36–1:6; 38–3:7, 12


Sweetflag, 36–1:4


Taotie masks, 33–3:18; 34–1:14; 35–1:8, 27; 35–2:35; 38–2:3


Tao Yuanming, 30–1:19


Three


Friends of Winter, 32–1:7, 8, 9; 33–3:12


goats, 30–3:27; 37–1:35; 37–2:5


Three plenties, 38–3:9


Tibetan, 33–1:13


Tiger(s), 30–4:5–12


Duanwu festival, 33–2:8; 36–1:5


with dragon, 32–2:29–30


with wang (king) character (cover bottle), 30–2:3


Wusong and, 39–1:3


Tortoise, 30–2:14


Turtle, 34–2:11


dragon-headed, 33–3:7


snake and, 33–2:6


Twelve birds, 34–1:20


Walnut, 30–1:27


Wannianqing (Rhodea japonica), 36–1:5–6


Warrior with banner, 34–2:10


Wasp, 36–3:14


monkey and, 36–3:10


Watches, 35–3:17


Waves, 39–1:8–9


Wickerwork/basket


cover bottle, 30–3:3


imitation of ancient styles, 32–3:11–12


Wine jar, 38–3:3


Woodcutter, 31–2:19


Wuniu chanyue, 30–1:23–24


Wusong, 39–1:3


Xiyou ji (novel), 34–2:11; 36–3:7, 8, 12, 14–16


Xuanwu, 33–2:6


Yin-yang, 32–1:11, 14; 33–3:5; 34–2:10–11; 38–3:3


Zhang Daoling, 33–2:8–9


Zhao Gongming, 30–4:12


Zhong Kue, 30–1:3


Zhong Kui, 31–1:33, 33–2:8


Zodiacal animals, 30–1:11; 30–4:8; 31–3:21; 32–2:16; 33–2:7; 34–2:4; 35–2:21; 36–3:6; 38–2:15


 


R


REIGN MARKS


Absence of, 31–2:18


Assessment, 31–2:15–18


Daoguang, 31–2:17–18; 34–3:8; 36–2:24; 38–3:3, 40; 39–1:26–27


Imperial porcelain, 31–2:16–17


Jiaqing, 31–2:17; 34–3:8; 36–2:24; 38–1:3; 38–3:3; 39–1:26


Jingdezhen porcelain, 39–1:5–6


Kangxi, 31–3:24; 34–3:39; 36–1:15; 36–2:4; 37–1:29; 39–3:37


Ming, 39–1:27


placement, 39–1:6–7


porcelain bottles, 39–1:25–26


Porcelain snuff bottles, 31–3:24


Qianlong, 31–2:16–17; 31–3:24; 34–3:7, 8, 9, 13; 35–3:38; 36–2:19; 38–1:3, 28–30, 31–32; 38–3:40; 39–1:5, 6, 21, 25–26, 28, 29; 39–2:49; 39–3:37


Qing, 31–2:15–16; 31–3:24; 38–1:28–30


Scripts for, 34–3:7–10


Tongzhi, 36–2:27


Yongzheng, 31–2:15; 34–3:9; 39–1:27–28


 


S


SEAL MARKS, 35–3:8


Chen Mingyuan, 30–1:27


Qianlong, 30–1:8, 10; 30–4:3


Yang He Tang, 30–1:27


Yangzhou, 30–4:35


SNUFF DISHES AND ACCESSORIES, 39–3:29


Auctions


New York 1998, 30–3:25


New York 1999, 31–2:36


New York 2002, 34–1:35


Metal snuff dish with yin-yang symbol, 33–3:5


STOPPERS, 35–3:39; 37–2:25


Official’s-hat form, 31–3:8; 35–3:39


 


T


TRIPLE BOTTLES, Daoguang porcelain, 31–2:8